Paula Cánovas del Vas explores in her Spring/Summer 2025 collection, the third since opening her studio in Paris, social norms, the dynamics of power, desire and control that shape personal and social relationships, as well as the power of vulnerability and deep interpersonal connection while fostering intimacy between people. The presentation reflects upon a study by psychologist Arthur Aron, which demonstrates how structured self-disclosure can create closeness between strangers highlighting several themes regarding contemporary society.
Set in the ballroom of the Instituto Cervantes, the Spring-Summer 2025 presentation addresses power dynamics and our desire for genuine connection in an increasingly disconnected world.
The performance and related film, “It Was Like Background Noise,” is a playful homage to Pina Bausch, emphasising disconnection within an increasingly polarised society, coercion, and the quest for empowerment. The film is directed by J.B. Braud, staged by Brazilian choreographer Leonardo D’Aquino, a member of the Berlin collective cie. Toula Limnaios, under the art direction of Angélique Pilière whom is the creative talent behind Oui Non Editions,
Sheer fabrics create fluid silhouettes while fitted garments bring a sense of precision and strength. The color palette mixes muted earth tones with bright, bold accents, offering contrast and depth. This season featuring are the new Diablo Saturn heeled pumps and flip style sandals, puff minidresses and meringue dresses, along with the exclusive Carmen bags, mesh and knit halter blouses and puff cardigans.
