Juan Vidal presented his first footwear collection at Mercedes-Benz Fashion Week Madrid, conceived as an ephemeral installation that transcends traditional runway fashion shows. Inspired by the poetic gesture of the Théâtre de la Mode in 1945, the presentation unfolded in an intimate setting where the models, transformed into textile dolls, remained motionless, as if witnessing a scene frozen in time.
The concept delves into an ambiguous territory, between tenderness and unease. The faceless, soft, and feminine figures evoke the work of both Hans Bellmer and Sarah Lucas, inviting reflection on the gaze that imbues form with meaning and power. In this suspended atmosphere, footwear emerges as the protagonist, instilled with memory, desire, and a subtle, ethereal aura.
The silhouettes evoke a circus-like imagery, with echoes of Pierrot, the melancholic clown, translated into designs featuring silk stripes and polka dots, pom-poms, and faded roses. Fragile, theatrical, and nostalgic sandals, oscillating between the dramatic and the sensual, reinforce the presentation's emotional dimension.
With this debut in the world of footwear, Juan Vidal opens a new creative chapter, confirming his ability to transform fashion into an intimate theater where the ephemeral becomes a memory.
